都市侠盗：救赎第二季

　　本季情节贴合80年代的标志性事件，包括核战电影《浩劫后》（The Day After）的上映、前总统里根的星球大战演说、大卫-科波菲尔让自由女神像「消失」的神奇魔术。第四季的核心情节是「这个苏联间谍家庭如何生存（如何自保）」。与此同时，被囚禁在俄罗斯的双重间谍Nina有可能重返美国，与前情人Stan Beeman团聚。请注意这个「有可能」，因为现在谁也说不准。Jennings家的小儿子Henry本季有更多出境时间，他在前两集中经常与邻居Stan待在一起。上一季关注了Paige的变化，或许这一季要关注Henry的变化？此外，Keri Russell的怀孕不会写进剧情中。FX暗示该剧可能在本季或者第五季结束。

　　Shetland is BACK to answer all of the questions that left us hanging at the end of the last series.

　　CBS宣布续订《联邦调查局》第3季。

　　Mrs. Brown's Boys became a runaway success upon its initial broadcast. Every episode aired won its timeslot for RTÉ, with an average viewership of 753,500 in January, 2011. One episode's rating beat that of RTÉ's own ratings giant The Late Late Show, with 856,000 viewers tuning in to watch. However, critics disliked the show. "The whole thing is entirely predicated on viewers finding a man dressed as a foul-mouthed elderly woman intrinsically funny," noted Bernice Harrison in the Irish Times. "If you do, you’re away in a hack (and the viewing figures are astronomical), but if you don’t, and you think that died out with Les Dawson and Dick Emery, then it’s a long half-hour."  The Irish Independent said that Mrs Brown's Boys was the type of TV programme that "that makes you vaguely embarrassed to be Irish".  The Daily Telegraph's Sam Richards noted that show's comedy has a "rudimentary nature", consisting of "an old-fashioned blend of silly voices and slapstick, played out in front of a live studio audience who collapse into giggles at the mere mention of the word “willy”.

编辑部的合同制职员五月女惠（江口德子 饰），在同事邀约聚会时，总是果断拒绝，匆匆离开公司。她这样做的理由是——享受一个人的时光，也就是她热衷的“独自活动”。为了在自己喜欢的时间、喜欢的地点，体验只有独处才能感受到的奢侈时光，惠不断寻找新的 “独自活动”。                                    
                               　　本季中，她的挑战范围更广，海外篇探索“独自游墨尔本”，国内篇则包括“独自探访植物馆”、“独自欣赏复古美术馆”、“独自逛零食店” 等，涉猎各种不同领域。透过独自活动，她不断审视自我，思考人生。这是一部鼓励人们找到自我、享受生活的治愈系人生剧。

　　Comedy set in the social services department of a local authority. Social workers Rose and Al swim against the tide of bureaucracy, deal with the absurdities of life and try to navigate their equally trying professional and personal lives.